In this class, always ID it as root position. This chord may appear in 4/3 presentation in music. Ii4/3 in a major key, la do re fa vi4/3 in a major key, mi sol la do.Ĭhord V4/3 in major and minor keys: re fa sol ti
Ii⌀4/3 in minor keys, le do re fa vii⌀4/3 in a major key, fa la ti re. Please also memorize the following information: The quality of the intervals is determined by the chord quality. In other words, every 4/3 chord will be composed of a third between the two lowest pitches, with a second in the middle, and a third stacked on top. Please commit the table below to memory for easy recall. This week we are going to study seventh chords in second inversion, which we notate using the abbreviation 4/3. When we notate chords in inversions using figured bass, we abbreviate the intervallic relationships in the chord from lowest to highest pitch using the following shorthand. In Unit 4, we studied five different types of seventh chords (dd, dm, mm, Mm, MM) in root position and first inversion. Ear Training - How Seventh Chords Work in Second Inversion Inverting Seventh Chords: Second Inversion